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Chen Chizeng: Chrysanthemum. Chinese Woodblock Print. Reproduced on rice paper with silk mounting 
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  • Chrysanthemum
  • Chen Chizeng
  • Chinese Woodblock Print. Reproduced on thin glazed silk and with silk mounting. Ca. 31x33 cm /ca. 39x50 cm


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Chen Chizeng: Yu Lan. Chinese Woodblock Print. Reproduced on thin glazed silk and with silk mounting 
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  • Yu Lan
  • Chen Chizeng
  • Chinese Woodblock Print. Reproduced on thin glazed silk and with silk mounting. Ca. 31x33 cm /ca. 39x50 cm


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Chou Ying: Travelling Along a River. Plate 
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  • Travelling Along a River. Plate
  • Chou Ying: ca...? Original made between 1494-1552
  •  
  • same picture as scroll no. 122op but now as a plate


wb122op
Futang: Banana. Chinese Woodblock Print 
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  • Banana. Ca. 36 x 25 cm
  • Li Futang
  • Chinese Woodblock Print. Reproduced on rice paper.


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Gao Qipei: Cooking. Fingerpainting. Chinese Woodblock Print. Reproduced on rice paper. 
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  • Cooking. Fingerpainting
  • Gao Qipei
  • Chinese Woodblock Print. Reproduced on rice paper. Ca. 32x27 cm


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Huan Binhong: Landscape. Chinese Woodblock Print. Reproduced on rice paper with silk mounting 
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  • Landscape
  • Huan Binhong (1865 - 1955)
  • Chinese Woodblock Print. Reproduced on rice paper with silk mounting. Ca. 22x25 cm / Ca. 28x35 cm
  • Huang Binhong was a master of freehand landscape painting who was well versed in the works of the great masters of the past and followed many of their techniques. Huang experimented with traditional techniques for the use of ink, including shading and layering.  He achieved a simple yet profound effect in his landscapes by the use of thick dark ink over which he applied light or heavy coloring.


wb Huan Binhong
Ju Lian: Flower and Insect. (1) Chinese Woodblock Print. Reproduced on thin glazed silk 
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  • Flower and Insect (1)
  • Ju Lian (1828 - 1904)
  • Chinese Woodblock Print. Reproduced on thin glazed silk. Ca. 24x26 cm
  • Ju Lian, alias Guquan, was a native Panyu. He was a bird-and-flower painter emphasized on observation and sketching of objects in nature. Ju specialized in the application of the innovative technique of "zhuangshui" (water infusion) and "zhuangfen" (powder infusion) to create a vivid, rich and bright palette.


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Ju Lian: Flower and Insect. (2) Chinese Woodblock Print. Reproduced on thin glazed silk 
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  • Flower and Insect (2)
  • Ju Lian (1828 - 1904)
  • Chinese Woodblock Print. Reproduced on thin glazed silk. Ca. 24x26 cm
  • Ju Lian, alias Guquan, was a native Panyu. He was a bird-and-flower painter emphasized on observation and sketching of objects in nature. Ju specialized in the application of the innovative technique of "zhuangshui" (water infusion) and "zhuangfen" (powder infusion) to create a vivid, rich and bright palette.


wb Ju Lian
Keran: Waterbuffalo. Chinese Woodblock Print 
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  • Waterbuffalo
  • Li Keran: 1907 - ?
  •  
  • Chinese Woodblock Print. Reproduced on rice paper and silk mounting. Ca. 30x45 cm


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Li Futang: Bamboo and Rock. Chinese Woodblock Print 
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  • Bamboo and Rock
  • Li Futang
  • Chinese Woodblock Print. Reproduced on rice paper.  Ca. 24x36 cm / Ca. 34x44 cm


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Pan Tianshou: Chrysanthemum and Cricket. Chinese Woodblock Print. Reproduced on rice paper with silk mounting. 
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  • Chrysanthemum and Cricket
  • Pan Tianshou (1898 - 1971)
  • Chinese Woodblock Print. Reproduced on rice paper with silk mounting. Ca. 24x34 cm / Ca. 34x42 cm


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Pan Tianshou: Plum Blossom. Chinese Woodblock Print. Reproduced on rice paper with silk mounting. 
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  • Plum Blossom
  • Pan Tianshou (1898 - 1971)
  • Chinese Woodblock Print. Reproduced on rice paper with silk mounting. Ca. 24x31 cm / Ca. 34x39 cm


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Pan Tianshou: Towel Gourd. Chinese Woodblock Print. Reproduced on rice paper. 
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  • Towel Gourd.
  • Pan Tianshou (1898 - 1971)
  • Chinese Woodblock Print. Reproduced on rice paper.


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Qi Baishi: Cricket and Vegetable. Chinese Woodblock Print. Reproduced on rice paper and silk mounting 
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  • Cricket and Vegetable ("Turnips" according to the Chinese)
  • Qi Baishi (1864 - 1957)
  • Chinese Woodblock Print. Reproduced on rice paper and silk mounting. Ca. 30x33 cm /ca. 39x40 cm


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Qi Baishi: Fish. Chinese Woodblock Print. Reproduced on rice paper and paper mounting 
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  • Fish
  • Qi Baishi (1864 - 1957)
  • Chinese Woodblock Print. Reproduced on rice paper and paper mounting. Ca. 33x33 cm /ca. 39x42 cm
  • Qi Baishi (1864 - 1957) also know as Qi Huang, was a native of Xiangtan, Hunan. He was a world-famous artist who was awarded the Peace Price by the World Peace Council in 1955. Here, with a minimum of bold and uninhibited strokes he has made swimming fish come to life on paper


wb Qi Baishi
Qi Baishi: Flower and Cricket. Chinese Woodblock Print. Reproduced on rice paper and paper mounting. 
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  • Flower and Cricket
  • Qi Baishi (1864 - 1957)
  • Chinese Woodblock Print. Reproduced on rice paper and paper mounting. Ca. 23x35 cm /ca. 30x42 cm


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Qi Baishi: Mantis and Paddy. Chinese Woodblock Print. Reproduced on rice paper and paper mounting. 
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  • Mantis and Paddy
  • Qi Baishi (1864 - 1957)
  • Chinese Woodblock Print. Reproduced on rice paper and paper mounting. Ca. 23x35 cm /ca. 30x42 cm


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Qi Baishi: Maple Leaves and Insects. Chinese Woodblock Print. Reproduced on rice paper and paper mounting. 
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  • Maple Leaves and Insects
  • Qi Baishi (1864 - 1957)
  • Chinese Woodblock Print. Reproduced on rice paper and paper mounting. Ca. 23x35 cm /ca. 30x42 cm


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Qi Baishi: Mole Cricket and White Jasmine. Chinese Woodblock Print. Reproduced on rice paper and paper mounting. 
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  • Mole Cricket and White Jasmine
  • Qi Baishi (1864 - 1957)
  • Chinese Woodblock Print. Reproduced on rice paper and paper mounting. Ca. 23x35 cm /ca. 30x42 cm


wb Qi Baishi
Qi Baishi: Shrimps. Chinese Woodblock Print. Reproduced on rice paper and paper mounting. 
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  • Shrimps
  • Qi Baishi (1864 - 1957)
  • Chinese Woodblock Print. Reproduced on rice paper and paper mounting. Ca. 33x33 cm /ca. 39x42 cm
  • Qi Baishi (1864 - 1957) also know as Qi Huang, was a native of Xiangtan, Hunan. He was a world-famous artist who was awarded the Peace Price by the World Peace Council in 1955. He was especially fond of doing shrimps. The pair of river shrimps painted in transparant colours here are as vivid as life


wb Qi Baishi
Qian Songyan, Sun Ji: Longing for Home: Paintings of Qian Songyan. Cloth 
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  • Longing for Home: Paintings of Qian Songyan. Cloth, in slipcase, ca. 26x36 cm
  • edited by Sun Ji
  • 16 pages text, 80 full-size colour plates, biography. Beijing 1987


750540069x, 84CE-599-D
Qian Songyan: Blue Mountain and Chinese Wall. Chinese Woodblock Print. Reproduced on rice paper 
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  • Blue Mountain and Chinese Wall. Chinese Woodblock Print. Reproduced on rice paper
  • Qian Songyan ( 1898 - 1985 )
  • Chinese Woodblock Print. Reproduced on rice paper, ca. 32 x 48 cm


wb. Qian Songyan

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Ren Bonian: Peach Blossom and Starling. Chinese Woodblock Print. Reproduced on rice paper with silk mounting 
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  • Peach Blossom and Starling
  • Ren Bonian
  • Chinese Woodblock Print. Reproduced on rice paper with silk mounting. Ca. 24x32 cm


wb Ren Bonian
Shen Zhou / Shen Shitian: Along the Two Rivers. (no. 137) Chinese Woodblock Print. Reproduced on silk 
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  • Along the Two Rivers (no. 137)
  • Shen Zhou (1427 - 1509) Also called Shen Qinan and Shen Shitian
  • Chinese Woodblock Print. Reproduced on silk. Ca. 23x41 cm
  • Shen Zhou, 1427-1509, also called Shen Qinan and Shen Shitian and, in his old age, the White Stone Old Man, was a versatile painter of the Ming Dynasty. He was a native of Changzhou (present-day Wuxian in Zhejiang Province). He and Wen Zhengming, Tang Yin and Chou Ying were the Four Masters of Ming Painting. He made an important impact on the style of painting in the Ming Dynasty. In the painting of landscape, Shen Zhou's brushstrokes are terse and vigorous


wb Shen Zhou 137

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Shen Zhou / Shen Shitian: Along the Two Rivers. (no. 139) Chinese Woodblock Print. Reproduced on silk 
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  • Along the Two Rivers (no. 139)
  • Shen Zhou (1427 - 1509) Also called Shen Qinan and Shen Shitian
  • Chinese Woodblock Print. Reproduced on silk. Ca. 23x41 cm
  • Shen Zhou, 1427-1509, also called Shen Qinan and Shen Shitian and, in his old age, the White Stone Old Man, was a versatile painter of the Ming Dynasty. He was a native of Changzhou (present-day Wuxian in Zhejiang Province). He and Wen Zhengming, Tang Yin and Chou Ying were the Four Masters of Ming Painting. He made an important impact on the style of painting in the Ming Dynasty. In the painting of landscape, Shen Zhou's brushstrokes are terse and vigorous


wb Shen Zhou 139

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Shen Zhou / Shen Shitian: Along the Two Rivers. (no. 140) Chinese Woodblock Print. Reproduced on silk 
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  • Along the Two Rivers (no. 140)
  • Shen Zhou (1427 - 1509) Also called Shen Qinan and Shen Shitian
  • Chinese Woodblock Print. Reproduced on silk. Ca. 23x41 cm
  • Shen Zhou, 1427-1509, also called Shen Qinan and Shen Shitian and, in his old age, the White Stone Old Man, was a versatile painter of the Ming Dynasty. He was a native of Changzhou (present-day Wuxian in Zhejiang Province). He and Wen Zhengming, Tang Yin and Chou Ying were the Four Masters of Ming Painting. He made an important impact on the style of painting in the Ming Dynasty. In the painting of landscape, Shen Zhou's brushstrokes are terse and vigorous


wb Shen Zhou 140

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Shen Zhou / Shen Shitian: Along the Two Rivers. (no. 141) Chinese Woodblock Print. Reproduced on silk 
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  • Along the Two Rivers (no. 141)
  • Shen Zhou (1427 - 1509) Also called Shen Qinan and Shen Shitian
  • Chinese Woodblock Print. Reproduced on silk. Ca. 23x41 cm
  • Shen Zhou, 1427-1509, also called Shen Qinan and Shen Shitian and, in his old age, the White Stone Old Man, was a versatile painter of the Ming Dynasty. He was a native of Changzhou (present-day Wuxian in Zhejiang Province). He and Wen Zhengming, Tang Yin and Chou Ying were the Four Masters of Ming Painting. He made an important impact on the style of painting in the Ming Dynasty. In the painting of landscape, Shen Zhou's brushstrokes are terse and vigorous


wb Shen Zhou 141

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Shen Zhou / Shen Shitian: Along the Two Rivers. (no. 142) Chinese Woodblock Print. Reproduced on silk 
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  • Along the Two Rivers (no. 142)
  • Shen Zhou (1427 - 1509) Also called Shen Qinan and Shen Shitian
  • Chinese Woodblock Print. Reproduced on silk. Ca. 23x41 cm
  • Shen Zhou, 1427-1509, also called Shen Qinan and Shen Shitian and, in his old age, the White Stone Old Man, was a versatile painter of the Ming Dynasty. He was a native of Changzhou (present-day Wuxian in Zhejiang Province). He and Wen Zhengming, Tang Yin and Chou Ying were the Four Masters of Ming Painting. He made an important impact on the style of painting in the Ming Dynasty. In the painting of landscape, Shen Zhou's brushstrokes are terse and vigorous


wb Shen Zhou 142

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Shen Zhou: Album. Twelve Scenes in Suzhou. 24-page brocade-cover album 
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  • Album: Twelve Scenes in Suzhou
  • Shen Zhou (or: Shen Shitian): Ming Dynasty
  • 24-page brocade-cover album, 12 pages with the scenes and 12 pages with calligraphy (all woodblock reproductions), printed on rice paper, harmonica-binding
  • Shen Zhou, 1427-1509, also called Shen Qinan and Shen Shitian and, in his old age, the White Stone Old Man, was a versatile painter of the Ming Dynasty....


Shen Zhou 8172-1066-B

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Shen Zhou: Chicken. Chinese Woodblock Print. Reproduced on rice paper 
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  • Chicken
  • Shen Zhou (1427 - 1509) Also called Shen Qinan and Shen Shitian
  • Chinese Woodblock Print. Reproduced on rice paper. Ca. 24x32 cm / 32x42 cm
  • Shen Zhou, 1427-1509, also called Shen Qinan and Shen Shitian and, in his old age, the White Stone Old Man, was a versatile painter of the Ming Dynasty. He was a native of Changzhou (present-day Wuxian in Zhejiang Province). He and Wen Zhengming, Tang Yin and Chou Ying were the Four Masters of Ming Painting. He made an important impact on the style of painting in the Ming Dynasty. In the painting of landscape, Shen Zhou's brushstrokes are terse and vigorous


wb Shen Zhou
Shen Zhou: Flower (no. 24). Chinese Woodblock Print. Reproduced on rice paper. 
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  • Flower (24)
  • Shen Zhou (1427 - 1509) Also called Shen Qinan and Shen Shitian
  • Chinese Woodblock Print. Reproduced on rice paper. Ca. 24x32 cm / 32x42 cm
  • Shen Zhou, 1427-1509, also called Shen Qinan and Shen Shitian and, in his old age, the White Stone Old Man, was a versatile painter of the Ming Dynasty. He was a native of Changzhou (present-day Wuxian in Zhejiang Province). He and Wen Zhengming, Tang Yin and Chou Ying were the Four Masters of Ming Painting. He made an important impact on the style of painting in the Ming Dynasty. In the painting of landscape, Shen Zhou's brushstrokes are terse and vigorous


wb Shen Zhou
Shen Zhou: Flower. (no.16) Chinese Woodblock Print. Reproduced on rice paper 
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  • Flower (no.16)
  • Shen Zhou (1427 - 1509) Also called Shen Qinan and Shen Shitian
  • Chinese Woodblock Print. Reproduced on rice paper. Ca. 24x32 cm / 32x42 cm
  • Shen Zhou, 1427-1509, also called Shen Qinan and Shen Shitian and, in his old age, the White Stone Old Man, was a versatile painter of the Ming Dynasty. He was a native of Changzhou (present-day Wuxian in Zhejiang Province). He and Wen Zhengming, Tang Yin and Chou Ying were the Four Masters of Ming Painting. He made an important impact on the style of painting in the Ming Dynasty. In the painting of landscape, Shen Zhou's brushstrokes are terse and vigorous


wb Shen Zhou
Shen Zhou: Fruit painting (Pome granate?) Chinese Woodblock Print. Reproduced on rice paper 
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  • Fruit painting (Pome granate?)
  • Shen Zhou (1427 - 1509) Also called Shen Qinan and Shen Shitian
  • Chinese Woodblock Print. Reproduced on rice paper. Ca. 24x32 cm / 32x42 cm
  • Shen Zhou, 1427-1509, also called Shen Qinan and Shen Shitian and, in his old age, the White Stone Old Man, was a versatile painter of the Ming Dynasty. He was a native of Changzhou (present-day Wuxian in Zhejiang Province). He and Wen Zhengming, Tang Yin and Chou Ying were the Four Masters of Ming Painting. He made an important impact on the style of painting in the Ming Dynasty. In the painting of landscape, Shen Zhou's brushstrokes are terse and vigorous


wb Shen Zhou
Shen Zhou: Set of Landscape Paintings, 6 pcs. and 1 with calligraphy. Chinese Woodblock Print. Reproduced on rice paper. 
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